Dawn Hunter, Student work
ARTS 107, Color and Composition
Simultaneous Contrast, DAWN HUNTER, PROJECT AUTHOR. PROJECT CONCEPT IS BASED ON THE TEACHINGS OF JOHANNES ITTEN AND DEVELOPED THROUGH THE GUIDANCE OF ROY DRASITES' SYLLABUS.
Simultaneous Contrast, Final Project
Students create a physical final utilizing the colors from their preliminaries. The objective is the same as the physical preliminary: make a color change depending on the environment. Students are also required to incorporate a motif in their final compositions. Acrylic on paper, 5" x 8."
Simultaneous Contrast Final Project
Students create a physical final utilizing the colors from their preliminaries. The objective is the same as the physical preliminary: make a color change depending on the environment. Students are also required to incorporate a motif in their final compositions. Acrylic on paper, 6" x 6."
Simultaneous Contrast Physical Preliminary (left) and Final Project (right)
Students create a physical final utilizing the colors from their preliminaries. The objective is the same as the physical preliminary: make a color change depending on the environment. Students are also required to incorporate a motif in their final compositions. Acrylic on paper, 6" x 6."
Simultaneous Contrast Final Project
Students create a physical final utilizing the colors from their preliminaries. The objective is the same as the physical preliminary: make a color change depending on the environment. Students are also required to incorporate a motif in their final compositions. Acrylic on paper, 6" x 6."
Simultaneous Contrast Final Project
Students create a physical final utilizing the colors from their preliminaries. The objective is the same as the physical preliminary: make a color change depending on the environment. Students are also required to incorporate a motif in their final compositions. Acrylic on paper, 6" x 6."
Simultaneous Contrast Final Project (left) and Digital Preliminary (Right)
Students create a physical final utilizing the colors from their preliminaries. The objective is the same as the physical preliminary: make a color change depending on the environment. Students are also required to incorporate a motif in their final compositions. Acrylic on paper, 6" x 6."
To develop agility with digital technology, we incorporate handheld devices digital platforms. We utilize this technology as a digital sketchbook. Students understand concepts and color schematics on a digital platform before painting their highly crafted preliminary scales and final paintings. Like any sketchbook, the expectation is that their digital sketches remain raw and not polished.
Simultaneous Contrast Digital Preliminaries
To develop agility with digital technology, we incorporate handheld devices digital platforms. We utilize this technology as a digital sketchbook. Students understand concepts and color schematics on a digital platform before painting their highly crafted preliminary scales and final paintings. Like any sketchbook, the expectation is that their digital sketches remain raw and not polished.
Simultaneous Contrast Physical Final
Students create a physical final utilizing the colors from their preliminaries. The objective is the same as the physical preliminary: make a color change depending on the environment. Students are also required to incorporate a motif in their final compositions. Acrylic on paper, 5" x 8."
Simultaneous Contrast Digital Preliminary
To develop agility with digital technology, we incorporate handheld devices digital platforms. We utilize this technology as a digital sketchbook. Students understand concepts and color schematics on a digital platform before painting their highly crafted preliminary scales and final paintings. Like any sketchbook, the expectation is that their digital sketches remain raw and not polished.
Simultaneous Contrast Physical Final
Students create a physical final utilizing the colors from their preliminaries. The objective is the same as the physical preliminary: make a color change depending on the environment. Students are also required to incorporate a motif in their final compositions. Acrylic on paper, 7" x 9."
